One of the projects he worked on was called the Triumphal Arch.Īlbrecht Dürer (1471–1528) The National Gallery, London This meant that Dürer produced work for Maximilian and, in return, the artist's prestige was raised to new heights (often Maximilian failed to actually pay Dürer!). He had important patronage from the Holy Roman Emperorĭürer continued his association with the Holy Roman Empire – in 1512 the Emperor Maximilian became the artist's patron. Today they are in the German National Museum in Nuremberg.ĥ. The paintings were intended for the chamber where the regalia were kept the night before their annual ceremonial display to the people. Heute vor 1.200 Jahren starb #Karl der #Große | #gnm #nuernberg #bildnis #duerer /bKpI1qOqLX The sketch is just an early idea, as the final paintings show significant changes. It shows the founder of the Holy Roman Empire, Charlemagne (748–814) on the left, with Sigismund of Luxemburg (1368–1437), who deposited the Imperial regalia in Nuremberg in 1424. This print in the Ben Uri Gallery shows number 17 in the sequence of the 'Life of the Virgin' – Christ taking leave of his Mother.Īlbrecht Dürer (1471–1528) The Courtauld, London (Samuel Courtauld Trust) He made various series of woodcuts, including the ' Life of the Virgin' (a series of 20 scenes including frontispiece) and the ' Small Passion' of 1511 (a series of 37 scenes from the life of Christ). Woodcuts and engravings are slightly different processes of making prints, but Dürer was to excel at both. His training as a book illustrator gave Dürer an insight into how to make woodcut prints, but it was his artistic genius and astonishing draughtsmanship that enabled him to take the medium to a new level. He soon became the city's leading artist.ģ. He returned to Nuremberg in 1495 and opened his own workshop where he produced paintings, woodcuts and engravings. He made watercolour sketches of the landscape as he crossed the Alps, and spent time in Venice where he became familiar with the great artists there – above all Giovanni Bellini, but also Pollaiuolo, Lorenzo di Credi and Mantegna. While most of his work consisted of oil paintings and woodcut engravings, Dürer also painted a number of watercolour landscapes in his travels to and from Italy, particularly in the Alps of southern Tyrol, Italy /rg1I4WWgfc Landscape by Albrecht Dürer, who was born #onthisday in 1471. He travelled through Germany to Colmar, Basel (where he worked as a book illustrator) and Strasbourg, returning briefly to get married, but leaving again after a couple of months to visit northern Italy. Dürer left Nuremberg in 1490 and did not return until 1494. It meant that the city was one of the first to have printing presses and this was to be crucial in Dürer's art.Īlthough Nuremberg was a cosmopolitan hub, it was customary for artists to gain experience after their apprenticeship by travelling around, learning from others – a kind of gap year. It was wealthy and exported gold and silverwork throughout Europe. In the late fifteenth and early sixteenth centuries, Nuremberg was the economic capital of Germany. 1484, silverpoint drawing by Albrecht Dürer (1471–1528)Īt 15, Albrecht was apprenticed to the painter Michael Wolgemut and began to learn the artistic techniques he would employ in his career, from drawing and painting to woodcut printing, which was used for book illustrations among other things.
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