During all these record label negotiations in 1984, the cassette-only live album Sonic Death: Sonic Youth Live was released on Ecstatic Peace. indie label Rough Trade, and the band had its first label with strong distribution. Soon, he received a distribution deal from the hip U.K. Paul Smith, one of the owners of Doublevision, decided to form Blast First Records in order to release Sonic Youth records. Later that year, the group released the EP Kill Yr Idols on the German Zensor label.Įarly in 1984, Moore attempted to land the band a contract with the British indie label Doublevision, but the label rejected the demos. The band supported the album with its first European tour. During 1983, Edson left the band to pursue an acting career and he was replaced by Bob Bert, who drummed on the group's debut album, Confusion Is Sex (1983). DeMarinis left the band shortly afterward, and the quartet recorded its eponymous debut EP, which was released on Branca's Neutral Records the following year. At the time, Sonic Youth also featured keyboardist Anne DeMarinis and drummer Richard Edson. Moore's girlfriend Gordon had been active in the avant and no wave scenes for some time, and the pair helped stage the Noise Festival, in which the band made its live debut during the summer of 1981. Both guitarists arrived in Manhattan during the height of the New York-based post-punk no wave movement, and began performing with the avant-garde composer Glenn Branca, whose dissonant, guitar-based music provided the basis for much of Sonic Youth's early music. Moore had spent his childhood in Bethel, CT Ranaldo was from Long Island. Such success was unthinkable when guitarists Thurston Moore and Lee Ranaldo formed Sonic Youth with bassist Kim Gordon in 1981. During the '90s, most American indie bands, and many British underground bands, displayed a heavy debt to Sonic Youth, and the group itself had become a popular cult band, with each of its albums charting in the Top 100. As their career progressed, Sonic Youth grew more palatable as well, as their more free-form songs began to feel like compositions and their shorter works began to rock harder. The band's trio of independent late-'80s records - EVOL, Sister, Daydream Nation - became touchstones for a generation of indie rockers who either replicated the noise or reinterpreted it in a more palatable setting. Instead, their dissonance, feedback, and alternate tunings created a new sonic landscape, one that redefined what rock guitar could do. Sonic Youth rarely rocked, though they were inspired directly by hardcore punk, post-punk, and no wave. Borrowing heavily from the free-form noise experimentalism of the Velvet Underground and the Stooges, and melding it with a performance art aesthetic borrowed from the New York post-punk avant-garde, Sonic Youth redefined what noise meant within rock & roll. and Hüsker Dü were fairly conventional in terms of song structure and melody, Sonic Youth began their career by abandoning any pretense of traditional rock & roll conventions. Sonic Youth were one of the most unlikely success stories of underground American rock in the '80s. and Hüsker Dü were fairly conventional in terms of song structure and melody, Sonic
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